{"id":1276,"date":"2015-04-06T12:33:39","date_gmt":"2015-04-06T12:33:39","guid":{"rendered":"https:\/\/geneseymour.com\/?p=1276"},"modified":"2018-11-27T19:23:53","modified_gmt":"2018-11-27T19:23:53","slug":"the-billie-i-love-at-100","status":"publish","type":"post","link":"https:\/\/geneseymour.com\/?p=1276","title":{"rendered":"The Billie I Love at 100"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2015\/04\/Billie-listening-laughing.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1282\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2015\/04\/Billie-listening-laughing.jpg\" alt=\"Billie listening &amp; laughing\" width=\"236\" height=\"193\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Each of us who loves Billie Holiday in all her mercurial variations favors the one we saw first. For me, it was a clip from the TV recital she gave in 1957 for the nonpareil CBS special, \u201cThe Sound of Jazz.\u201d It was the kind of show my parents would have watched attentively with their friends in our living room if only because there were so few TV shows of any kind in those primordial days that featured so many black people in one place playing music. And I was the kind of five-year-old who\u2019d have stopped and stared at it while all the grownups alternately chattered and listened. But I don\u2019t remember much about the show\u2019s first telecast and didn\u2019t see Holiday\u2019s performance until ten years later when her segment was excerpted on some black history special on the same network. And what I saw, however fleeting, haunted me forever.<\/p>\n<p>For starters, I never\u00a0heard a voice like hers before \u2013 and this was about the time that, according to conventional wisdom, that voice was less powerful, less robust and more frayed than it had been in its earlier bloom. It still sounded special to me; so much so, that I couldn\u2019t find the words to characterize it. Even now, I feel myself groping for adjectives like \u201csultry,\u201d \u201cpliant,\u201d or even \u201cdelicately spiced.\u201d (Wince.) With any force of nature, to describe is to diminish its power.<\/p>\n<p>Yet the voice was for me the least of it at that moment. What hit me in a deeper place was what my older, wiser self would now call her sang-froid. The composure, regal and raw, was a compound I\u2019d seen before in dozens of singers, black and white, old and young, male and female. But never before had I been aware that such commanding presence could be as inscrutable as the main character in a mystery story; a master thief, say, blithely slipping into a dark alley concealing gilded swag, or a cynical detective who\u2019d stumbled onto a solution she wished she hadn\u2019t, but wasn\u2019t going to let its horror trip her up &#8212; or keep rough justice at bay. She was fire and ice, calibrated with a perfection that I\u2019d dimly suspected was harder to achieve than it looked.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Billie Holiday - Fine And Mellow - The Sound of Jazz\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/sJQiqTZfakQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>And by \u201charder,\u201d I am not speaking of the legendary tribulations of Holiday\u2019s life. For too long, her heartbreak and (sometimes self-inflected) pain have been placed at the center of her story at the expense of her craft. Her 1956 memoir, <em>Lady Sings the Blues,<\/em> provided the lens through which people continue to view Holiday\u2019s life and work, even if the intervening years <a href=\"http:\/\/www.sfgate.com\/entertainment\/article\/Billie-Holiday-s-bio-Lady-Sings-the-Blues-may-2469428.php\">have disclosed many flaws and inaccuracies, beginning with its memorable first sentence<\/a>. I now believe that book has a lot in common with <a href=\"https:\/\/www.youtube.com\/watch?v=7M2xHyF_wh4\">her rendition of a pop standard. <\/a>They share many of the same attributes: dramatic timing, pungent lyricism and rueful wit coated with honey and bitters. Others may have used her music to wallow in their own sadness. She did not. The troubles were tools in her paint box along with all the other things at her disposal.<\/p>\n<p>In this centennial year of Eleanora Fagan\u2019s birth, this view has, I think, become the prevailing one, thanks in large part to biographies written over the decades by <a href=\"http:\/\/books.google.com\/books\/about\/Lady_Day.html?id=6di8gfMk7OUC\">Robert O\u2019Meally<\/a>, <a href=\"http:\/\/www.randomhouse.com\/book\/71888\/if-you-cant-be-free-be-a-mystery-by-farah-jasmine-griffin\">Farah Jasmine Griffin <\/a>and now <a href=\"https:\/\/www.kirkusreviews.com\/book-reviews\/john-szwed\/billie-holiday-musician\/\">John Szwed, whose just-published <em>Billie Holiday: The Musician and the Myth<\/em> (Viking) <\/a>provides a fresh template for evaluating the elements of Holiday\u2019s musicianship and, more important, how her enduring influence on generations of singers (<a href=\"http:\/\/www.slate.com\/articles\/arts\/the_book_club\/features\/2010\/frank_the_voice\/what_sinatra_learned_from_billie_holiday.html\">beginning with Frank Sinatra<\/a>, who also has a 100th birthday coming up this year) has less to do with her personal life than with her way of bending lyrics, expanding space and marking time.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2015\/04\/billie-holiday-studio-sized.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1280\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2015\/04\/billie-holiday-studio-sized-300x172.jpg\" alt=\"billie-holiday-studio-sized\" width=\"300\" height=\"172\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2015\/04\/billie-holiday-studio-sized-300x172.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2015\/04\/billie-holiday-studio-sized.jpg 565w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>I`d rather hear her now. She`s become more mature. Sometimes you can sing words every night for five years, and all of a sudden it dawns on you what the song means. I played \u2018My Funny Valentine\u2019 for a long time \u2013 and didn\u2019t like it \u2013 and all of a sudden it meant something. So with Billie, you know she\u2019s not thinking now what she was in 1937, and she\u2019s probably learned more about different things. And she still has control, probably more control now than she did back then. No, I don\u2019t think she\u2019s in decline.<\/em><\/p>\n<p><em> \u201cShe sings way behind the beat and then brings it up \u2013 hitting right on the beat. You can play behind the beat, but every once in a while you have to cut into the rhythm section on a beat and that keeps everybody together. Sinatra does it by accenting a word. A lot of singers try to sing like Billie, but just the act of playing behind the beat doesn\u2019t make it sound soulful.<\/em><\/p>\n<p><em>\u201cI don\u2019t think that guys like Buck Clayton are the best possible accompanists for her. I\u2019d rather hear her with Bobby Tucker, the pianist she used to have. She doesn\u2019t need any horns. She sounds like one anyway.\u201d<\/em><\/p>\n<p>&#8212; <strong>MILES DAVIS ON BILLIE HOLIDAY, Jazz Review interview, 1958<\/strong><\/p>\n<p>I\u2019m with Miles on this. I always have been. One\u2019s first Billie, as I said earlier, is one\u2019s best Billie. And it was with the later, presumably less vital Billie that I fell in love. For those like Nat Hentoff, with whom Davis was giving the interview, the younger, more buoyant Billie Holiday who broke into public consciousness in the mid-1930s singing with the likes of Benny Goodman, Teddy Wilson, and, most especially, her musical soul mate Lester Young, was the best by far. And I get that. The Columbia recordings from that period attest to a sense of joy and discovery in Holiday\u2019s singing that burst through even the tiniest reproductions of \u201cWhat a Little Moonlight Can Do\u201d or \u201cI&#8217;ll Never Be The Same.&#8221;<\/p>\n<p>As she became older and life got tougher, the joy receded and something more acerbic and world-weary crept into her singing. Yet I now believe what many regarded as decline was more like adjustment, realignment and even growth. Cops and cabaret owners may have pummeled the swagger out of her. But in all her performances, including her book, Holiday never came across as someone who took shit indefinitely. The struggle toughened her. That\u2019s what struggle tends to do. And she used what she learned to get a better handle on what she was doing. The worse it got, the better she got. That\u2019s what Miles Davis was talking about. It\u2019s how I prefer to think of her, whether she\u2019s deep in thought listening to a playback, as in <a href=\"https:\/\/www.google.com\/search?hl=en&amp;site=imghp&amp;tbm=isch&amp;source=hp&amp;biw=1261&amp;bih=647&amp;q=billie+holiday+milt+hinton&amp;oq=billie+holiday+milt+hinton&amp;gs_l=img.3...1675.10033.0.10305.34.15.5.14.15.0.115.966.14j1.15.0.msedr...0...1ac.1.64.img..9.25.947.3U8Imnb3CS0#imgrc=JNqN979V8jDlSM%253A%3B_e7_piH_i0-p-M%3Bhttp%253A%252F%252Fi37.photobucket.com%252Falbums%252Fe87%252Fmoxovision%252FBillieHolliday.jpg%3Bhttp%253A%252F%252Ftsutpen.blogspot.com%252F2008%252F08%252Ffriends-of-milt-hinton-16.html%3B500%3B377\">Milt Hinton\u2019s mesmerizing photographs <\/a>from the 1958 <em>Lady in Satin<\/em> sessions or making her way through an especially tricky passage across a song\u2019s bridge.<\/p>\n<p>And the joy never really went away. Look again at that clip from \u201cSound of Jazz.\u201d Notice how her head shakes when she\u2019s listening to the other musicians and how her eyes shimmer as each soloist cruises by. And When her once-beloved Prez steps to the plate and blows what I and many others believe to be his last great solo, her face glows brightest, the years fall away and you could swear you can feel the same energy she had in her 20s when everything that happened to her, good and bad, was still ahead.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; Each of us who loves Billie Holiday in all her mercurial variations favors the one we saw first. For me, it was a clip from the TV recital she gave in 1957 for the nonpareil CBS special, \u201cThe Sound of Jazz.\u201d It was the kind of show my parents would have watched [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[666,474,667,200,208,669,668],"class_list":["post-1276","post","type-post","status-publish","format-standard","hentry","category-jazz-reviews","tag-billie-holiday","tag-frank-sinatra","tag-john-szwed","tag-lester-young","tag-miles-davis","tag-milt-hinton","tag-nat-hentoff"],"_links":{"self":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1276"}],"version-history":[{"count":10,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1276\/revisions"}],"predecessor-version":[{"id":2251,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1276\/revisions\/2251"}],"wp:attachment":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1276"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1276"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}