{"id":1895,"date":"2017-05-06T20:19:42","date_gmt":"2017-05-06T20:19:42","guid":{"rendered":"https:\/\/geneseymour.com\/?p=1895"},"modified":"2025-10-14T06:06:21","modified_gmt":"2025-10-14T14:06:21","slug":"remembering-abbey","status":"publish","type":"post","link":"https:\/\/geneseymour.com\/?p=1895","title":{"rendered":"Remembering Abbey"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1899\" rel=\"attachment wp-att-1899\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1899\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey.jpg\" alt=\"Abbey!!!!\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>I don\u2019t know about you guys, but given the way things have been going lately, there\u2019s a song I\u2019ve been thinking about that drapes over my hopes and fears like a tailored silk suit. It\u2019s three years shy of 30 since it came out, but it somehow feels as though it could have \u2013 and should have \u2013 been written the day before yesterday:<\/p>\n<p>S<em>ummer&#8217;s gone<\/em><br \/>\n<em> And winter&#8217;s here<\/em><br \/>\n<em> We had a lot of rain this year<\/em><br \/>\n<em> The news is really very sad<\/em><br \/>\n<em> The time is late,<\/em><br \/>\n<em> The fruit is bad<\/em><br \/>\n<em> The morning&#8217;s come<\/em><br \/>\n<em> And roosters crow<\/em><br \/>\n<em> But people have no place to go<\/em><br \/>\n<em> And disappear<\/em><br \/>\n<em> Just like the sun<\/em><br \/>\n<em> When the day is done<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>The world is falling down<\/em><br \/>\n<em> Hold my hand<\/em><br \/>\n<em> It&#8217;s a lonely sound<\/em><br \/>\n<em> Hold my hand<\/em><br \/>\n<em> We&#8217;ll follow the breeze<\/em><br \/>\n<em> And go like the wind<\/em><br \/>\n<em> And look for a place<\/em><br \/>\n<em> Where the willows bend<\/em><br \/>\n<em> The world is falling down<\/em><br \/>\n<em> Hold my hand, hold my hand<\/em><br \/>\n<em> Hold my hand, hold my hand\u201d<\/em><\/p>\n<p>LYRICS \u00a9 BMG RIGHTS MANAGEMENT US, LLC<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Abbey Lincoln - The World Is Falling Down\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UpzuSUVfXJI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Ms. Abbey Lincoln, ladies and gentlemen. This was the title track of an album whose release on Verve in 1990 began what may well have been one of the most startling and satisfying winning streaks of any artist in any sphere. The world may or may not have been falling down at that time. But it stopped long enough to pay renewed, intensified attention to Lincoln, who rewarded it with a bounty of recorded output showcasing her gifts as a songwriter and vocalist.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1900\" rel=\"attachment wp-att-1900\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1900\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/world-is-falling-down-300x297.jpg\" alt=\"world is falling down\" width=\"300\" height=\"297\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/world-is-falling-down-300x297.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/world-is-falling-down-150x150.jpg 150w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/world-is-falling-down.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>I\u2019d hoped I would hear \u201cThe World Is Falling Down\u201d the other night at the Kimmel Center\u2019s Merriam Theater in Philadelphia where \u201cA Tribute to Abbey Lincoln,\u201d presented by the John F. Kennedy Center for the Performing Arts, had stopped as part of the home stretch of its tour. I didn\u2019t, but there was nothing else that disappointed about the show, whose staging and conception were as elemental, unfettered and as intensely focused as Lincoln\u2019s singing voice while ever so subtly evoking her regal presence.<\/p>\n<p>Then again, you could have evoked whole dynasties with three vocalists as athletic in range and as theatrical in delivery as Dianne Reeves, Esperanza Spalding and the freshest (in more ways that one) new NEA Jazz Master Dee Dee Bridgewater. Together and (mostly) individually, they rendered Lincoln\u2019s repertoire backed by a combo led by drummer\/musical director Teri Lynn Carrington featuring pianist Marc Cary, percussionist Mino Cinelu, saxophonist (and occasional pianist) Edmar Colon, bassist James Genus and guitarist Marvin Sewell.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1901\" rel=\"attachment wp-att-1901\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1901\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/tribute-to-abbey-stars-300x171.jpg\" alt=\"tribute to abbey stars\" width=\"300\" height=\"171\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/tribute-to-abbey-stars-300x171.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/tribute-to-abbey-stars-768x439.jpg 768w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/tribute-to-abbey-stars.jpg 910w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The case for Lincoln\u2019s songs being embedded among classic jazz standards has been submitted and justified several times over even before their composer\u2019s death in 2010 just after she turned 80. What Bridgewater, Reeves and Spalding did with Abbey\u2019s repertoire was show the songs to be durable and flexible enough to withstand any variations, extensions or inflections. \u00a0 With this trio, kitchen-sink approaches would seem especially hazardous to Lincoln\u2019s simple melodies and forthright lyrics. But they each invigorated the material, whether it was Bridgewater enthusiastically going vertical on \u201cWholly Earth\u201d in ways that matched Lincoln\u2019s galvanic renderings, or Reeves blending delicacy and acerbity on \u201cIt\u2019s Supposed To Be Love,\u201d Lincoln\u2019s masterly deconstruction of spousal abuse. Spalding used her solos to deep-dive into songs written by others that Lincoln had made into her own on the 1959 Riverside album <em>Abbey Is Blue<\/em>, whether it was the 1928 movie dirge, \u201cLaugh Clown Laugh,\u201d to which she applied her own version of Lincoln\u2019s game of duck-and-weave with the beat and Mongo Santamaria\u2019s \u201cAfro Blue,\u201d where she was as militant as Abbey, but also more willing to stretch and bend the choruses as her own act of self-assertion. Her mic wasn\u2019t as well amped as those of her two partners. (And while we\u2019re on the subject, the Kimmel people need to do something about the balcony seating, which still seems more accommodating to eighth graders than to grownups with arthritic limbs.) But Spalding\u2019s turns, even more than the stuff that\u2019s made her a festival star, left you in greater anticipation of where she\u2019ll be a decade from now.<\/p>\n<p>The three of them together, by the way, sang the holy hell out of this one:<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"ABBEY LINCOLN - Throw It Away- A Turtle`s Dream 1994\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/Fbucba3S3sw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1902\" rel=\"attachment wp-att-1902\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1902\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-Is-Blue-298x300.jpg\" alt=\"Abbey Is Blue\" width=\"298\" height=\"300\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-Is-Blue-298x300.jpg 298w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-Is-Blue-150x150.jpg 150w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-Is-Blue.jpg 450w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>As rousing as the evening was, \u00a0it also left me feeling wistful and nostalgic. It became clear as each of these songs came at me one after the other that the 1990s, the decade that was my most professionally productive as a jazz journalist, was also the Abbey Lincoln decade. Her re-emergence into the recording world coincided with my being hired by Newsday to cover jazz and the albums seemed to come like clockwork through the turn-of-the-century. Rarely, if ever, did I miss a live date or concert appearance, whether it was a Tuesday opener at the Blue Note or a glittering guest turn at Verve\u2019s 50th anniversary concert at Carnegie Hall where she nailed \u201cI Must Have That Man\u201d to the wall.<\/p>\n<p><iframe loading=\"lazy\" title=\"Abbey Lincoln:Voz - J.J.Johnson:tb\u25b2I Must have that man\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/GCdF8aIFCF4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1903\" rel=\"attachment wp-att-1903\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1903\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/Who-Used-To-Dance-300x300.jpg\" alt=\"Who Used To Dance\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Who-Used-To-Dance-300x300.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Who-Used-To-Dance-150x150.jpg 150w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Who-Used-To-Dance.jpg 355w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1917\" rel=\"attachment wp-att-1917\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1917\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/Devils-Got-Your-Tongue-300x300.jpg\" alt=\"Devil's Got Your Tongue\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Devils-Got-Your-Tongue-300x300.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Devils-Got-Your-Tongue-150x150.jpg 150w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Devils-Got-Your-Tongue.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1909\" rel=\"attachment wp-att-1909\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1909\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/You-Gotta-Pay-The-Band-300x300.jpg\" alt=\"You Gotta Pay The Band\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/You-Gotta-Pay-The-Band-300x300.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/You-Gotta-Pay-The-Band-150x150.jpg 150w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/You-Gotta-Pay-The-Band.jpg 390w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1914\" rel=\"attachment wp-att-1914\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1914\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/wholy-earth-300x269.jpg\" alt=\"wholy earth\" width=\"300\" height=\"269\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>She\u2019d been such a key part of my life in those mighty years that when I tried to write a tribute after her death, I couldn\u2019t get all the words out. This is as far as I got. Maybe it was enough. I still don\u2019t know:<\/p>\n<p>&nbsp;<\/p>\n<p>THE LIONESS IN WINTER<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/?attachment_id=1905\" rel=\"attachment wp-att-1905\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-1905\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-at-Piano-300x201.jpg\" alt=\"Abbey at Piano\" width=\"300\" height=\"201\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-at-Piano-300x201.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-at-Piano-768x514.jpg 768w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2017\/05\/Abbey-at-Piano.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>Our sixties and seventies beckon us as if they were our parents calling us in for dinner at twilight. And we\u2019re either hiding in the bushes or ignoring their summons, hoping they\u2019ll give up and go away. Only we\u2019re the ones who are giving up by cringing at the inevitable. Though we don\u2019t lack for aging-process cheerleaders and life coaches assuring us that sixty-five, seventy-five or (org!) eighty-five are just numbers, our aching joints and delayed-action memories insist otherwise. Most of us can\u2019t work up enough energy for a tantrum, let alone a Lear-like eruption, against Faulkner\u2019s \u201cding-dong of doom.\u201d We\u2019re more tempted than not to let the fires that propelled our younger selves deeper into the world smolder and cool into embers.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>Abbey Lincoln spent her sixties and seventies showing us that such things didn\u2019t have to be. Through more than fifty years of singing, acting and songwriting, Lincoln emitted a rigorously tempered radiance capable of both soothing and scalding at acutely calibrated levels. Yet she became an incandescent cultural force during the last decade of the previous century and the first decade of this one. Beginning with 1990\u2019s <\/em>The World is Falling Down<em>, the first in a series of epochal albums recorded for the Verve label, Lincoln experienced a late-bloomer apotheosis few singers, even the greatest of them, had the opportunity to enjoy. The obituaries have thus far celebrated Lincoln\u2019s stature as a role model for performers, composers, activists and bandleaders. All told, the finest example she set \u2013 and left behind &#8212; was showing us how to live with steadfast creativity and uncompromising passion, even at a time when we\u2019re supposed to be contemplating retirement.<\/em><\/p>\n<p>And this was, to be clear, when I was a bit more optimistic about things than I am now. But in the context described above, one of the many songs I wish Abbey had tried out in her wintry radiance was the theme song of <em>Never Too Late<\/em>, a 1965 film adaptation of a Broadway comedy starring Paul Ford as a lumber executive in his 60s who\u2019s made his 50-ish wife pregnant for the first time in decades and is more than a little baffled by it. <a href=\"https:\/\/www.youtube.com\/watch?v=62HgoOleNxo\">Tony Bennett recorded the song <\/a>\u00a0and his version was released a year later on <em>The Movie Song Album <\/em>(Columbia).\u00a0I now like to imagine Abbey Lincoln\u2019s voice wrapping itself around a verse such as this with all the understanding and empathy she can muster. When I do, I feel a lot better. Maybe you will, too.<\/p>\n<p><em>Let your heart stay young and strong<\/em><br \/>\n<em> Just one note can start a song<\/em><br \/>\n<em> So don\u2019t worry \u2018bout how long<\/em><br \/>\n<em> You\u2019ve had to wait<\/em><\/p>\n<p><em>Its never too late<\/em><br \/>\n<em> Its never too late<\/em><\/p>\n<p>Music &amp; Lyrics: David Rose, Jay Livingston, Ray Evans, 1965<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; I don\u2019t know about you guys, but given the way things have been going lately, there\u2019s a song I\u2019ve been thinking about that drapes over my hopes and fears like a tailored silk suit. It\u2019s three years shy of 30 since it came out, but it somehow feels as though it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[706,880,882,881,884,883],"class_list":["post-1895","post","type-post","status-publish","format-standard","hentry","category-jazz-reviews","tag-abbey-lincoln","tag-dee-dee-bridgewater","tag-dianne-reaves","tag-esperanza-spalding","tag-kennedy-center","tag-teri-lynn-carrington"],"_links":{"self":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1895"}],"version-history":[{"count":10,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1895\/revisions"}],"predecessor-version":[{"id":4106,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/1895\/revisions\/4106"}],"wp:attachment":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}