{"id":855,"date":"2013-09-04T19:21:15","date_gmt":"2013-09-04T19:21:15","guid":{"rendered":"https:\/\/geneseymour.com\/?p=855"},"modified":"2013-09-04T19:48:41","modified_gmt":"2013-09-04T19:48:41","slug":"seymour-movies-saved-by-a-bell","status":"publish","type":"post","link":"https:\/\/geneseymour.com\/?p=855","title":{"rendered":"Seymour Movies: Saved by a Bell"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2013\/09\/In-a-Wold-movie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-877\" alt=\"In a Wold movie\" src=\"https:\/\/geneseymour.com\/wp-content\/uploads\/2013\/09\/In-a-Wold-movie-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"https:\/\/www.geneseymour.com\/wp-content\/uploads\/2013\/09\/In-a-Wold-movie-300x168.jpg 300w, https:\/\/www.geneseymour.com\/wp-content\/uploads\/2013\/09\/In-a-Wold-movie.jpg 630w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>If you were to ask me which of this receding summer\u2019s movies I\u2019d be happy to see again tomorrow, next week or even a year or two from now, they would be <em>In a World\u2026<\/em> and <em>Frances Ha<\/em>. I\u2019m not trying to be trendy here, even though any day now I\u2019m expecting some renegade financial pundit to suggest that<a href=\"http:\/\/www.theguardian.com\/film\/2013\/jun\/13\/steven-spielberg-george-lucas-film-industry\"> George Lucas and Steven Spielberg are on to something<\/a> and that historians may regard the summer of 2013 as the beginning of the end of the popcorn tent pole era (or whatever other euphemism suits you.) I doubt the all-powerful global market has exhausted its fascination with action-hero extravaganzas and neither have I. But the omnipresence of big, noisy Hollywood franchises has aroused in me \u2013 and I suspect many more \u2013 an appetite for the smaller stuff. And I\u2019m not in any way suggesting that \u201csmall\u201d equals \u201cgood\u201d or that \u201cbig\u201d equals \u201cmediocre\u201d or even \u201cpredictable\u201d or\u2026.<\/p>\n<p>Never mind. Just go see <em>In a World\u2026<\/em> while it\u2019s still hanging around. (And it is, amazingly enough.) It made me happy in so many ways, not least for raising writer-director-star Lake Bell\u2019s profile \u2013 and about time! I\u2019ve been a fan of hers ever since I saw her pilfer the otherwise dreary 2007 romantic comedy, <em>Over Her Dead Body<\/em>, out from under Eva Longoria, whose TV stardom gave her top billing in what was essentially a supporting role as a bitchy ghost trying to keep Bell\u2019s character away from the ghost\u2019s ex-fianc\u00e9e (Paul Rudd). Bell\u2019s lanky grace and astute timing outclassed everything else in the movie, except, maybe, Rudd, with whom she was so perfectly matched that you wished they could have been airlifted to a better story, if not an alternate universe.<\/p>\n<p>It could only be in that time continuum that Bell\u2019s impressive showing would lead to bigger roles afterward. But my review of <em>Over Her Dead Body<\/em> lamented that a wry, incisive talent such as Bell\u2019s would have a tough time finding Hollywood comedies sophisticated enough to appreciate, even showcase it. Inevitably, as a kind of consolation prize, she got to do support work in such big-studio rom-coms as 2008\u2019s <em>What Happens In Vegas<\/em>, 2009\u2019s <em>It\u2019s Complicated<\/em> and 2010\u2019s <em>No Strings Attached<\/em>. Each time, more than a few of my critical brethren were moved to remark that Bell was funnier, more authentically human than most of the pre-cooked star turns in those movies. I would tell them if they wanted to see Bell really show her stuff, they should turn to where most of our best actors are these days: Television, where she was Doctor Cat Black on the very dark, very coarse and (thus) very funny Adult Swim series, <em>Children\u2019s Hospital<\/em>.<\/p>\n<p>As for the movies, Bell was likely smart enough to realize that the only way she was going to get a big, decent role in a romantic comedy was to build one of her own. Hence, <em>In a World\u2026<\/em>, which, though it\u2019s ostensibly about professional voice-over artists, gently, but firmly jabs at hidebound Hollywood attitudes towards women \u2013 and, implicitly, anybody else who doesn\u2019t fit its generic career cubbyholes; just as <em>In a World\u2026<\/em> doesn\u2019t fit any of the accepted variables for contemporary American comedies. It doesn\u2019t shout, pander or broadly contrive things. It has people you enjoy spending time with, even at their worst. And it has a central character who, though an adorable mess, is also capable of the kind of inspired, attentive improvisation that keeps our best jazz musicians working and hoping for the best.<\/p>\n<p>Briefly: Bell\u2019s Carol is part of the inner circle of Los Angeles-based voice-over specialists fiercely competing for gigs to intone promotional copy for movie trailers. Their demigod (and the movie\u2019s guiding spirit) is the late Don LaFontaine, from whose all-but-trademarked line, \u201cIn a world where\u2026\u201d, the movie derives its title. She comes by her profession from her father Sam, depicted here as being the closest voice-over professional in legendary stature to LaFontaine. Sam\u2019s played with sauntering arrogance by <em>A Serious Man<\/em>\u2019s Fred Melamed, who evokes a sexy-bear Phil Silvers bulked by gamma rays and self-centeredness. Carol\u2019s curriculum vitae, saying the least, doesn\u2019t glow in the dark as Sam\u2019s does and Sam, re-married to a blonde (Alexandra Holden) who\u2019s a deceptively ditzy contemporary of Carol and her sister Dani (Michaela Watkins), thinks that\u2019s just the way the industry wants it. \u201cI\u2019m not sexist,\u201d Sam insists, even though he\u2019s the first to complain about women stealing men\u2019s jobs when one of his friendly competitors (Ken Marino) loses a high-profile audition to some\u2026girl. And yes, unknown to Sam or his friend, it\u2019s Carol. This is one of a handful of misunderstandings zipping blithely through <em>In a World\u2026<\/em> Not all of them have to do with Carol, Sam or even voice-overs, though at least one of them submits a delicate reminder that you can\u2019t believe everything you hear.<\/p>\n<p>I don&#8217;t want to get you guys too excited. Bell still has room to improve some of her staging and at least a couple of her visual transitions. But her greatest assets as an actor, her timing and her ear, are filtered into both her direction and her writing, the latter of which got its props at this year&#8217;s Sundance Film Festival. Anyway, I\u2019m a sucker for movies that have an informed appreciation for their capacity for sound, as opposed to noise. . I\u2019m an even bigger fool for funny women such as Bell who can not only hear the subtleties in other people\u2019s voices, but in their personalities as well. There isn\u2019t a malicious streak anywhere in this movie. And it says a lot about Bell\u2019s generosity of spirit that the movie includes amusing cameos from both Longoria (playing herself in self-deprecatory mode and looking even better than usual because of it) and <em>What Happens in Vegas\u2019<\/em>s Cameron Diaz (barely recognizable as an action heroine in a grainy faux trailer). I want to see <em>In a World<\/em>\u2026 again, not just because it\u2019s such a pleasant, stealthily profound lark, but because I still can&#8217;t believe it&#8217;s out there. I mean, in This World, anyway.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; If you were to ask me which of this receding summer\u2019s movies I\u2019d be happy to see again tomorrow, next week or even a year or two from now, they would be In a World\u2026 and Frances Ha. I\u2019m not trying to be trendy here, even though any day now I\u2019m expecting some [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[124],"tags":[367,341,342,340,345,348,344,346,339,347],"class_list":["post-855","post","type-post","status-publish","format-standard","hentry","category-movie-reviews","tag-367","tag-eva-longoria","tag-childrens-hospital","tag-in-a-world","tag-alexandra-holden","tag-don-lafontaine","tag-fred-melamed","tag-ken-marino","tag-lake-bell","tag-michaela-watkins"],"_links":{"self":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=855"}],"version-history":[{"count":10,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/855\/revisions"}],"predecessor-version":[{"id":883,"href":"https:\/\/geneseymour.com\/index.php?rest_route=\/wp\/v2\/posts\/855\/revisions\/883"}],"wp:attachment":[{"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/geneseymour.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}